ドン・キの音楽

バレエ「海賊」の音楽がとんでもないことになっているのは知ってたけど，ドン・キホーテ（おそらく他のどのバレエも）とんでもないことになってたのね．
まず，基本は確かにミンクスが書いた。しかし，その後の改定で，さまざまな作曲家の様々な曲がごちゃ混ぜになってる．メルセデスの踊りがシモーヌ，ジプシーの踊りがジェロビンスキー，カルメンシータとジーグがソロヴィヨフ＝セドイ，エスパーダがグリエール
ドルシネアの夢の場がドリゴ，キューピッドがバルミン．
終幕の入場シーン，マーチがゲルバー，ボレロがプーニ，ファンダンゴがナブラヴニク，ってところかしら？ま，カルメンシータやボレロは明らかに曲の感じが違うからわかるけど，ドリゴやプーニはミンクスと同じぐらい特徴無いし． そうしたら，マリインスキーの新版パキータがマリインスキーのサイトに出てたのよ．これも結構混ざってるのよね．

Choreographic plan

Introduction
Edouard Deldevez - Riccardo Drigo

Child Polononaise and Mazurka
Ludwig Minkus

1st entree
Ludwig Minkus

Grand adagio
Ludwig Minkus

2nd entree
Ludwig Minkus

Pas de Trois

• 1st entree
  Edouard Deldevez
• 2nd entree
  Ludwig Minkus
• 1st female variation
  Edouard Deldevez
• 2nd female variation
  Entree - Ludwig Minkus, variation - Edouard Deldevez
• Male variation
  Adolphe Adam, from La Diable a quatre
• Coda
  Ludwig Minkus
  

Variations
(according to dancers’ choice 7 of 11 female variations are performed)

1. Andante-Allegro moderato. Riccardo Drigo for King Candaule by Pugni (con harp)
2. Allegro. Alexei Barmin (known as Amour variation from Don Quixote by Minkus)
3. Moderato. Riccardo Drigo for La Sylphide by Schneitzhoffer
4. Tempo di valse. Ludwig Minkus for The Naiad and the Fisherman by Pugni
5. Moderato. Riccardo Drigo for La Camargo by Minkus
6. Allegro. Alexei Barmin
7. Allegro moderato. Ludwig Minkus or Alexei Barmin (con violin solo)
8. Allegro. Riccardo Drigo for The Stream by Minkus and Delibes
9. Allegro. Yuli Gerber, from Trilbi
10. Allegro. Ludwig Minkus for Armida by Pugni
11. Tempo di valse moderato. Riccardo Drigo for King Candaule by Pugni (con harp)
12. Male variation. Choreography by Leonid Lavrovsky. Riccardo Drigo for La Source by Minkus and Delibes

これもWikipediaに出てる旧版は

• №1 Ludwig Minkus. Insertion for the ballerina Anna Johansson's performance Marius Petipa's 1892 revival of the Jules Perrot's 1843 La Naïade et le pêcheur.
• №2 Riccardo Drigo. Insertion for the ballerina Mathilde Kschessinskaya's performance in Marius Petipa's 1897 revival his 1868 ballet Le Roi Candaule.
• №3 Alexei Barmin. Insertion for Alexander Gorsky's 1900 revival of Marius Petipa's 1869 ballet Don Quixote.
• №4 Nikolai Tcherepnin. Taken from Mikhail Fokine's 1907 ballet Le Pavillon d'Armide.
• №5 Yuli Gerber. Taken from Marius Petipa's ballet Trilby.
• №6 Riccardo Drigo. Insertion for the ballerina Vavara Nikitina's performance in Marius Petipa's 1892 revival of Filippo Taglioni's original 1832 version of the ballet La Sylphide.
• №7 Léo Delibes. Taken from Delibes's portion of the score for Arthur Saint-Léon's 1866 ballet La Source.

こうなってるのよね．あたくしはTcherepninの曲が好きなのよ．